

October 1937, Mississippi, USA. A member of a family whose musical
activities can be traced back a number of generations (her grandfather Sid Hemphill

and aunt Rosa Lee Hill both made recordings), from the 50s onwards, Hemphill
spent many years playing and singing. She sang blues, most of which she wrote
herself, based on her own experiences, and played guitar in a local style, using droning
chords and beating time on a tambourine with her foot.
She also played drums in a fife
and drum band, one of the last active examples of an old Mississippi tradition. She
has made a number of recordings, including a couple of singles issued by a venture
owned by Memphis State University, and has frequently played at concerts and
festivals as far afield as Europe. In 1995 her career effectively ended when she had a
stroke. Since then she has been confined to a wheelchair.
Harmony Ridge Music Review
Jessie Mae Hemphill is a rather obscure blues singer songwriter guitar player extrodinaire. She lives in Como Mississippi, the same town that Fred McDowell lived in. She must have been a good listener because she developed a lot of Fred's clear crisp solid blues licks.
Although she was not well know, she had
a cult following and released one album in Europe. Recently, that album
"She Wolf" and another "Feeling Good" were released in the US. These two
CDs are some of the most good feeling infectuous music I've ever heard.
She does her own version of "Mystery Train" and although I've probably
heard 50 different people do this song, she blows them all away. She's
haunting, sexy, and full of the raw energy only someone with the blues
in their blood can be. If you like unpretensious basic blues done with
honesty, feeling, and spirit, you'll like her stuff. I compare her with
Fred McDowell, Sun House, and Robert Johnson, and on a more contemporary
level, John Hammond and Rory Block.
---jack Sutton
For a superb write-up and more information on Jessie Mae Hemphill,
check out Retro Radio.
Feelin' Good( Retro Radio)
"Feelin' Good" is no
misnomer. Recorded at
the height of her
career in the mid to
late eighties, you
can feel that she
just can't wait to
keep it rollin'. The
first six tracks,
from 1988, are the
obvious results of
playing to more and
bigger crowds. She knows exactly what makes a
crowd move and how to arrange a set. With the
addition of Evans on guitar and R. L. Boyce on
drums, Jessie Mae seems more commanding in her
singing and her guitar even tighter. To hear
her do "Streamline Train" live must have been
one hell of a time.
The final eight tunes have the lady back
workin' solo, and again the progress of her
work is apparent. "My Daddy's Blues" is a
beautiful tune describing Hemphill's musical
heritage over a sweet little guitar riff and
polyrythmic percussion that balances between
West Africa and Native America. And again she
closes out her record with a spiritual. "Lord
Help The Poor And Needy" is just Jessie Mae
and her tambourine, and I dare you to not be
moved.
---Smitty Ray Barlow
Feeling Good
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Susan Tedeschi
Every so often, a new artist comes along that grabs the attention of critics, fans and industry professionals alike. One whose music is instantly recognizable and causes the uninitiated listener to sit up and say "Who is that?" Add Best New Artist Grammy Nominee Susan Tedeschi's name to that short list. With a voice that is frequently compared with Janis Joplin, Bonnie Raitt and Etta James, and a guitar style influenced by Johnny Guitar Watson, Magic Sam and Freddie King. Susan has taken her influences and sculpted them into a style all her own. With the release of her national debut cd, Just Won't Burn on Tone-Cool Records (distributed by Island Def Jam), Susan's profile has continued to grow: she's had top-15 radio hits with "It Hurt So Bad," and "Rock Me Right" has toured with Lilith Fair, the Allman Brothers and BB King, performed on David Letterman, Conan O'Brien, CMT, and TNN, graced the covers of Billboard, Album Network, Pollstar and Blues Revue Magazines, and registered one of the top selling albums in the country. Susan's from-the- heart vocals and stinging guitar work combined with her charismatic stage presence and electrifying live performances, have caused listeners and critics nationwide to take notice.
In 1998, Susan released Just Won't Burn, which presents evidence of her development as not only a singer and guitarist but as a songwriter as well. Songs range from "You Need to Be With Me," which culls it's third verse from an Emily Dickinson poem, to the title track, "Just Won't Burn," which she wrote after the death of a loved one. "Found Someone New," written on the piano, evokes her John Lennon influence, while "Looking for Answers," written in open D tuning, reflects her gospel influence, and "It Hurt So Bad," according to Susan, "was something Etta James or Otis Redding might have done." Finally, a powerful cover of John Prine's "Angel From Montgomery," was recorded live and, she adds, "is the closest thing we do to country."
The greatest accolade paid to Susan's talent was her nomination as Best New Artist at the 2000 Grammy Awards alongside Britney Spears, Christina Aguilera, Kid Rock and Macy Gray. She's since followed that up by winning 3 more Boston Music Awards in April and recording with Willie Nelson and Hubert Sumlin. Susan has earned the respect and affection of her peers and heroes through her talent, dedication and hard work and has already been hailed as one of the best new artists today. She is now working on her follow-up to Just Won't Burn and her profile is only going to continue grow.
Wait for Me
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Just Won't Burn
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For twenty years Sheila Wilcoxson has been singin' the blues in the Northwest. Her vocal talents and
authenticity have earned her a most respected place among her notable peers.
And for good reason.
Backwater Blues is Wilcoxson's first solo effort but the credits read like a Who's Who of local talent: you
might recognize Terry Robb's slide work, Curtis Salgado's harp or Janice Scroggin's stride piano. These tunes come straight from the
Mississippi Delta and the picks showase her incredible voice: sly and steamy ("No Business"), traditional crooning ("Keep your Eyes
Open"), gospel blues ("Revival Days"), plus lots of juicy growling. You'll hear alot of Bessie Smith in Wilcoxson, but don't be mistaken.
She's got her own way and she's the real deal. Pick up Backwater Blues and spend your dog days kicking back on the front portch with
a tall cool one.
- Anodyne 7/97
Sheila Wilcoxson has a truly amazing voice. That voice is the essence of this recording. The beauty and range of it is extraordinary as
she makes her way through 12 traditionally styled Blues tunes. At times, Sheila has a haunting, Bessie Smith qualilty to her delivery; very
arresting. She has surrounded herself with some of the finest local Blues musicians, including Terry Robb and Alan Hager on guitars,
Albert Reda on bass, Bill Rhoades and Curtis Salgado on harp, just to name a few. These guys really know the traditional side of the
Blues and their support is impeccable. Terry Robb produced this recording and he has put together a first-class effort with a vintage feel
that really brings out the talent and excitement of Sheila's musical style. This recording should make people around the rest of the country
"sit up and take notice" of Portland's best kept secret, Ms. Sheila Wilcoxson!
---Bluesnotes */97
Producer Terry Robb captures every shaded nuance and capricious whisper of Sheila Wilcoxson's
eloquent vocal instrument, while providing her with an illustrious array of backup musicians including the
likes of himself on various guitars, Fritz Richmond on washtub bass, Bill Rhodes and Curtis Salgado on
harp, Skip Parente on violin and Janice Scroggins on piano. Sheila has been around Portland since the
early '80s, eventually fronting her own bands, first Sheila and the Boogiemen and later the Back Porch Blues band. Those years spent
plying her craft have rewarded Sheila for her persistence, as now she is availed of a richly supple voice, full of body and character.
Her repertoire is comprised of original tunes written by herself, Back Porcher Whit Draper or guitarist Alan Hager -interspersed with
renditions of tunes written by Huddie Ledbetter, Mance Lipscomb, Bessie Smith and Hoyt Axton. The styles cover several of the
variations the blues has to offer, from the Delta feel of Draper's "No Business," and "Keep Your Eyes Open," to the hot swing of numbers
like "Sweet Misery" and "Looky Looky Yonder," to the gospel testimony of "Revival Day," to the barrelhouse character of Bessie Smith's
title track and the Country/Zydeco hoe-down of "Testosterone Poisoning." Sheila carves upon each form her own mark, creating a
euphonious totem to the blues tradition.
---Two Louies
Backwater Blues
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Diane Scanlon has toured extensively and internationally with some of New
York's most respected and sought after players,
appearing at such esteemed venues
as the Montreux Festival in Switzerland, the Spoleto Festival in South Carolina,
and the Nassau and New Haven Colosseums. Known for her emotive, blues
based playing and soulful lyrics, she is a musician's musician. The poetic, urgent
quality of her lyrics fuse with her powerful voice to unfailingly captivate the first-
time audience.
Diane was born in White Plains, New York and played her first gig at 13. Her first musical experience was listening to Lena Home's album "Lena on the Blue Side". It was her love of Lena Horn, Ella Fitzgerald and the Beatles that led to her eclectic blues based style of writing. When Diane formed her own band and began touring the East Coast, her lead guitar playing became a trademark which led to the band's sizeable following. It was this exposure that led her to open for bands such as The Jefferson Starship and Jeff Beck at Nassau and New Haven Coliseum. She also toured Europe extensively, which culminated with her debut performance at the Montreux Festival.
Diane's first recording contract involved a collaboration with producer Jacques Morali for Can't Stop Productions. Her single "Romeo" was released on Polydor records in Europe, which led to touring in France.
As songwriter, Diane has collaborated with Eve Nelson, Jeff Bova, Phil Galston, Onaje Gumbs, Toy Askew, and Bette Sussman among many others. "Who's Gonna Carry You" was the single on Tramaine Hawkin's CD Higlzer Ground, a Grammy nominated record in the contemporary Gospel category. In the pop realm, Arista chose "I'll Be Here" as the hit single for the debut release by the band the Tuesdays. Her Grammy Award winning music composed for Penguin Audio Books also runs the gamut from mystery to mysticsm.
Most recently Diane has decided to use her wealth of experience as recording artist, band leader and songwriter, and formed her own production company geared toward producing material for up and coming bands. Her most recent projects are Antieone Risine's, Snapshot and Sarah Brooks debut recording.
Diane's first album "Devotion" was released in 1992 to critical acclaim. She is
currently working on her second album "The Misunderstanding"
Billboard
"With her self-produced disc Diane Scanlon stakes her claim as a singer and writer on the scene to
watch.
New York Newsday
"A spectacular talent... Her singing, guitar and lyrics all bite down hard...
Ron Delsener
...a true artist. It was my pleasure to present her."
Devotion
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